By Anna Ilona Mussmann
Barbara Cooney’s classic picture book, Miss Rumphius, tells the story of a lady who fulfills all three of her childhood goals.
Barbara Cooney’s classic picture book, Miss Rumphius, tells the story of a lady who fulfills all three of her childhood goals.
“In the evening Alice sat on her grandfather’s knee and listened to his stories of faraway places. When he had finished, Alice would say, ‘When I grow up, I too will go to faraway places, and when I grow old, I too will live beside the sea.’
“‘That is all very well, little Alice,’ said her grandfather, ‘but there is a third thing you must do.’
“‘What is that?’ asked Alice.
“‘You must do something to make the world more beautiful,’ said her grandfather. 'All right.’ said Alice. But she did not know what that could be.’”
The
story is beautifully told and beautifully illustrated. Yet the protagonist
doesn’t do anything impressive. She does her homework until, one day, she is
grown up. She never marries or has children, and we are not told whether this
is something she chooses or laments. She goes to work--presumably for most of
her life--until she can travel the world. Even her beautifying act is nothing
more than scattering lupine seeds across her island.
Why,
then, does the story have such lasting resonance?
Perhaps
it is because its simplicity conveys a feeling of rightness. Alice does what is
before her. In contrast, today’s children tend to be hounded by the notion that
they must find their passion, follow their heart, achieve their dreams--do, be,
and feel special, sparkly, valuable, and happy. This is tough on kids who don’t
have a clear “passion” to chase. It’s rough on those whose hopes elude them.
In
Lutheran circles, we point to the doctrine of vocation as a counter-balance to
the pressure to focus on ourselves. Even so, it can be easy to wonder if our
vocations are enough. Stay-at-home moms worry that they ought to accomplish
more outside the home. Single women fear that without husbands and children,
they are cut off from life’s deepest and most meaningful work.
We
need to become more comfortable with the idea that life is about receiving
different gifts, different paths, and different opportunities. Despite our lip
service to diversity, our culture resists accepting the real differences
between individuals, cultures, and even human bodies. We tell each child, “You
can be anything you want to be!,” yet we know it’s a lie. Harsh as it sounds, not
all boys will ever be fast enough to make the basketball team. Not all girls
will ever be considered pretty by strangers. Not all children will have the
academic ability to earn a degree in engineering or the social smarts to have a
wide circle of friends. Not all adults are given the same vocations. That is
okay. Furthermore, it is under the control of a loving, omnipotent God. That
means that it is--or can be made--good.
In
an
article about how she and her husband came to adopt their foster daughter,
Natalie Patterson talks about the misery of knowing that she wasn’t doing a
good enough job at loving a traumatized child. She did not feel the same
emotional bond with this angry little girl as she did with her biological
children, and she struggled every day. She was sure that someone else was
better equipped to be a forever-mother. Yet eventually, the author and her
husband decided that their job was not to do things perfectly, but to do the
thing they had been given. She slowly learned that,
“I was not loved for my ability to be inspirational or always have a cheerful disposition or mark everything off of my to do list with perfection.
“While I was learning how to love her well, I was learning to allow myself to be loved well. As I grew a mother’s love for this child, I grew in my understanding of the love my Father has for me.”
That,
I think, is one of the most beautiful things about vocation. God uses it not
just to serve our neighbors, but to teach us to understand His love a little
better. It is fascinating to note the percentage of famous Biblical figures who
are known for vocations that they fit poorly (Jonah is hardly the model of what
a missionary should be) or were forced into (Queen Esther was conscripted into
marriage, and Naaman’s Jewish slave girl surely longed for a different life).
Yet we remember these people and the work God did through them.
Our
vocations are defined by the responsibilities that God has given us. We forget
this lesson not only when we call for sparkly passions, but also when we look
for feelings of success as reassurance that we are on the right path. Doing so
may be very American and very modern, but it is hardly Biblical.
Miss Rumphius was not a sparkly unicorn snowflake who became the first female
president, converted dozens of unbelievers to the faith, or even reared a
picture-perfect Christian family full of children who loved to recite Bible
verses while dressed in pastel-colored outfits. Instead, people called her a
crazy old lady. Yet her story is beautifully right. Thanks to the Divine
love that transcends what we do, our stories are beautifully right, too.
***
After graduating from Concordia Wisconsin, Anna taught in Lutheran schools for several years and became so enthusiastic about Classical Education that she will talk about it to whomever will listen. She is a big fan of Jane Austen, dark chocolate, and the Oxford comma. Anna and her husband live in Pennsylvania with their two small children. Anna's work can also be found in The Federalist.
Thank you! This article has helped me figure out a big part of why I didn't like a book I read recently, A Lantern in Her Hand by Bess Streeter Aldrich. As I read your article, I went, "OH! This is what I kept feeling was lacking, but couldn't quite put my finger on."
ReplyDelete(SPOILERS)
The protagonist, Abbie Deal, dreams of being a fine lady who sings and paints. She has a beautiful singing voice and some artistic talent, but then she marries a farmer and raises lots of children who go on to be singers and painters and never understand that their mother ever had dreams like theirs OR that she gave them up for her children. They don't understand how she could be happy with her simple life of house- and farmwork.
And neither did I. Because the author did a masterful job of exploring Abbie's dreaming and longing to use these gifts, but when Abbie gave them up for her children, it was very ho-hum, oh well, let's get on with the story. I think it's supposed to come across as fine and sacrificial, and exalt the life of a mother and wife. But it felt flat to me. There was no emotional resonance to the fact that Abbie realized that her dreams were not as important as she'd once thought. She knew that her life had been important, but no one else acknowledged this, and even the author seemed a little uninvolved and unappreciative. Which made me angry. Which made me not like the book.
Because a simple life of doing what God sets before you is a blessed thing, and if an author is going to set out to show that, then they should show it and not sort of backhandedly say, "Oh, this was good too."
(End of rant.)
Interesting. I read that book in my late teens and didn't like it either, but I don't remember it well enough to know how I'd feel about it today.
DeleteIt sounds like you're on to something. I remember being annoyed that Abbie's adult kids don't seem to appreciate her, and perhaps that is part of the problem that you describe. Perhaps the way in which she gave up her dreams meant hiding a part of herself from her family? And therefore they didn't know the whole her? Or maybe that's just me being modern.
I'm glad to know I'm not the only one who doesn't like it. I think part of what I disliked was that her children made no effort to get to know their mother, but that we were supposed to feel sorry for Abby that no one appreciated what she gave up. It was kind of an artificial construct, I felt.
DeleteThis is beautiful. Thank you, Anna.
ReplyDelete